Set in Kenya in 1950, a young Kenyan girl named Anyango, who peddles fruit, meets a strange customer who talks of the future. Staged at the virtual Re-Discoveries Festival by Saudade Theatre.
An essay on the significance of my theatre company and others’ pivot to digital theatre.
An essay in which I reckon with my role as a young, black newcomer to the theatre industry.
An essay reflecting on my virtual theatre debut with the reading of my play “Guardian”.
I interviewed poet-playwright and cultural-memory worker Erika Dickerson-Despenza.
My blog about lessons and adventures during my semester abroad in Cape Town, South Africa.